How were members of the target audience involved in this development?
von Häfen: The OpenEar team had access to a large number of test subjects. In addition to the live tests and workshops, more than 50 cochlear implant users joined us at the sound laboratory and were able to give us crucial indications of sound improvements. Thanks to the support of cochlear implant and hearing aid users, the filter cascade was extended to live concert settings and has since been used in numerous professional performances. Joint listening experiences were implemented at the Theater Koblenz, the Rhein-Mosel-Hall, and even more intimate venues like chamber music halls or several auditoriums.
What does inclusion mean to you?
von Häfen: For us, meaningful inclusion means building an integrative foundation for a shared experience. Next to the many more or less successful concepts of inclusion, our top priority at OpenEarConcept© is acoustic inclusion, which we have achieved through various applications. In 2016, thanks to famous singer Kathy Kelly and cabaret performer Konrad Beikircher, the Rhein-Mosel-Halle in Koblenz was able to present a "Lyrical Christmas concert" for families, where people with normal hearing and hearing aid users were able to sit next to each other without the need for induction loops or special seating arrangements in the auditorium. For us, it marked a powerful acknowledgment of our work to hear the audience sing along during some songs, regardless of whether people were using hearing aids or not.
Right now we are in the process of expanding and adapting the technology to different devices or media platforms. We are confident that we will be able to achieve great things in this area for cochlear implant and hearing aid users in the near future.